Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Lucha Libre: Stories from the Ring, El Paso Edition

The exhibition tells the history of Lucha Libre, its connections to the border region, and the stories that have come from the sport. Lucha Libre: Stories from the Ring, El Paso edition, will showcase stories, sponsors and memorabilia all related to local Lucha Libre history. The Museum of History has partnered with the City of Las Cruces Museums to bring the exhibition to El Paso. The original exhibition opened at the Branigan Cultural Center in Las Cruces, New Mexico, in the spring of 2020, but it had to be cut short because of the COVID-19 pandemic. "Lucha Libre has a rich history that dates back over a century and is characterized for its over-the-top performances and supposed macho atmosphere. Although, the theatrical sport is beyond that. Lucha Libre combines athleticism, theater, dance, story, and the visual arts. Lucha Libre became a popular sport in the early 1900s; however, the origins date back to the late 1800s. There was a form of wrestling in the United Sates that was more theatrical and included a stage. This form of wrestling influenced Italian businessman and veteran of the Mexican revolution Salvador Lutterroth to start a company called EMLL (Empresa Mexicana de Lucha Libre). After seeing several wrestling matches in El Paso, Texas, Lutteroth took his company EMLL to Mexico and began promoting shows through the 1920s and 1930s. The demonstrations were held in Mexico City and were classified as the poor man's sport because they were rudimentary and held in the poorest neighborhoods. The sport became extremely popular during the following decades and by the 1950s, luchadores began wearing masks, which was initiallv an American tradition. The masks were then used to develop a character and depending on the colors and designs used, the crowd could determine whether they were the tecnicos (good guys) or the rudos (bad guys). It became iconic after the debut of Santo el Enmascarado de Plata, a famous luchador and film actor. By the 1960s and 1970s other independent wrestling companies began to rival EMLL and helped grow the popularity of Lucha Libre. In the 1980s, a wave of luchadores activist began to emerge after a devastating earthquake in Mexico City. Many residents were left without a home, many were evicted, and the city had to be rebuilt. This social anxiety and unrest caused an assembly of Barrios to march and rally for the government to housing credits. Out of this unrest a luchador called Super Barrio emerged becoming the staple of the marches and protests. Since the 1980s Lucha Libre not only stands as a form of entertainment and cultural staple but as a symbol used to organize communities and stand for social inequalities. By the 1990s Mexican Lucha Libre was introduced to the United States, when several luchadores were featured on television. Since then, Lucha Libre has become a transnational phenomenon and recognized for thepresentation, athleticism, unique style, elaborate attire, masks, and stories. Lucha Libre: Stories From The Ring highlights Lucha Libre's cultural, historical, and social political importance whileshowing the fun, unique, cultural aspect of it." -Norma Hartell, Curator, City of Las Cruces Museums

Area: Central / Downtown

Source: El Paso Museum of History; Las Cruces Museums

Uploaded by: El Paso Museum of History

Comments

Add a comment
Thank you for your comment

Report this entry

Choose the most important reason for this report

Your name

Your email address

Optional detail

Thank you for your report

More from the same community-collection

Sister Ann David Naeger, Sister Kate Misbauer, Sister Elisa Rodriguez, SL

Sister Ann David Naeger, Sister Kate Misbauer, Sister Elisa ...

Hotel Dieu Nursing School administrators c. 1971

Hotel Dieu Nursing School administrators c. 1971 Esperanza ...

Iris Burnham, El Paso entrepreneur, educator, c. 1983

Iris Burnham, El Paso entrepreneur, educator, c. 1983

Elvia Hernandez, City Council Rep 26 AUG 1999

Elvia Hernandez, City Council Rep 26 AUG 1999

Pancho Villa Stash House Opening February 2020 & Cindy Medina

Cindy A. Medina (history activist, publicist and genealogist) ...

Pancho Villa Stash House Opening February 2020 & Cindy A. Medina

THE VILLA'S AND MS. CINDY MEDINA HAD THE 1st OPEN HOUSE AT THE ...

Pancho Villa´s Plunder

"Pancho Villa´s Plunder", is an episode that will premier on ...

Pancho Villa and El Paso

"Pancho Villa's Plunder" 3/1/22 HISTORY CHANNEL @8PM MST..."The ...

De Soto Hotel Fire

Billowing smoke emerging from the De Soto Hotel on 309 E. Mills, ...

Harvey Girls of El Paso Texas

Harvey Girls of El Paso Texas taken at Union Station in February ...

Carol Viescas, El Paso journalist c. 1985

Carol Viescas, El Paso, Texas journalist c. 1985

"Affirmative Action Statistical Report" El Paso SMSA July 1984

"Affirmative Action Statistical Report" El Paso SMSA July 1984 ...

Street Wall Art

DownTown wall art.

Stanton House Rooftop view

The hotel Stanton House’s Rooftop view

San Jacinto Plaza

San Jacinto Plaza In Holidays.

Karma Deane

Karma Deane was a prominent and well known dancer and instructor ...

El Paso County employee celebrates Women's History Month, El Paso, TX 2022

El Paso County employee celebrates Women's History Month, El ...

Lady Justice, El Paso County Courthouse 2022

LadyJustice, El Paso County Courthouse 2022

County Judge Ricardo A. Samaniego and staff, El Paso, TX 2022

County Judge Ricardo A. Samaniego and staff, El Paso, TX 2022

Female Judges El Paso, TX 2022

Some female Judges in the County Courthouse, 2022

Female Judges El Paso, TX 2022

Some female Judges in El Paso, TX 2022

Mostafa Al-Azemmouri/Estevanico at Pioneer Plaza

You are at Historias: El Paso's Black History, Site ...

Home of John & Mary Woods at Mesa & Mills

You are at Historias: El Paso's Black History, Site ...

home.search_collection